Category Archives: Historic Aiken

A Retrospective on Aiken’s Railroad Bridges: Part Three

By Laura Lance

This three-part series places Aiken’s railroad cut and wooden bridges in historic context — the development and building of the Charleston-Hamburg line; issues of deterioration and upkeep; the human stories; the environmental elements; the costs.

Part Three of Three
The Bridges

In 1897, the SC Legislature passed a bill requiring the South Carolina & Georgia Railroad Company to erect and repair certain bridges over Aiken’s railroad cut, and to open up and grade crossings at other streets over the railroad, and to maintain the same.

The situation was urgent. According to one account in March 1897, the bridge on Newberry Street was “getting to be dangerous.” The Laurens Street bridge had recently received emergency repair by a policeman, who had to replace a plank in the bridge “to prevent further accident, one horse having fallen into the hole before it was discovered.” The other bridges [Union and York] were said to be “in bad repair.”23

In late 1897, the City and the railroad company came to an agreement whereby the railroad would, among other things, rebuild the bridges at Laurens, Newberry and York within two years. The timeline on the fulfillment of this agreement is stubborn to find in local accounts, however, the Aiken Journal and Review made a brief mention on January 10, 1911 that the bridge being built over the railroad cut at Laurens Street was nearing completion.

The Bridges

Postcard: Southern Railroad cut at Aiken, SC. 1908. Souvenir Post Card Co. In the public domain.

The Laurens Street Bridge
Erected circa 1852-1855

City Council records from throughout the 1960s show the mayor, city manager, and even the First Presbyterian Church pleading with the railroad company to address the poor visibility of the hump-backed bridge, the drooping railing, the axle-jarring holes and the ongoing rot. In those days, the First Presbyterian Church congregation used the Laurens Street bridge as a pedestrian crossing to travel from the church at the corner of Park and Laurens to the Sunday school at the Grace Estate located on the other side of the bridge.

When letters and calls failed to move the railroad, the City and church began sending letters directly to the president of the company. The church sent a second letter in 1966 to express “grave concern at the generally deteriorating condition of the Laurens Street bridge.”21

When the bridge was finally resurfaced in 1966, a brief in the local newspaper hailed the improvement as “ probably one of the most appreciated things that has been done in Aiken in the past three centuries.”24

The bridge was closed in 1971 after being declared by the Aiken Director of Public Safety to be “in unsafe condition due to erosion and a lack of maintenance.”3 The condition of the railroad cut, after nearly 10 years of abandonment by the railroad company, had left erosion to undermine the tracks and the bridge’s concrete foundation, which the Public Safety Director described as “cracked and undercut.”3

In 1974, a perfect storm of deferred and unresolved issues led to the collapse of the bridge. When the bridge collapsed again in 2012, erosion was cited as the cause after a heavy rain eroded away the soil under the bridge supports.25 

The Laurens Street bridge as seen from the Newberry Street bridge. Photographer: carlfbagge. Flickr album: Aiken, 2008.

Both of the bridge collapses were unexpected. Either could have resulted in loss of life. Fortunately, the bridge was closed during both collapses. During the 1974 collapse, the bridge was closed for repairs, with the workers actually under the bridge when the collapse began. During the 2012 collapse, the bridge had been closed due to an observant passerby who noticed a shift in the bridge’s elevation and alerted public safety. 

In the months leading up to the 1970s bridge replacement, some of the Laurens Street residents living near the bridge lobbied to either keep the bridge permanently closed or make it a pedestrian-only bridge, as they’d come to appreciate the peace and quiet.

Two factors drove the design of the 2012 bridge replacement. One was the new 23-foot clearance requirement by the railroad company, which increased the bridge height by three feet and necessitated major disruption of the roadway approach and closure of Colleton Street on the southside of the bridge. The other factor, as described in April 2012 City Council meeting minutes, was the federal emergency funding secured for the bridge by the governor’s executive order, the terms of which gave the City 180 days to complete the project.

The bridge fell in April 2012, was demolished in June, and its replacement completed in October just slightly past the 180-day deadline.

June 2025 views of the 2012 Laurens Street bridge replacement, which drew heavy criticism after its completion in October 2012. The City made efforts to improve the appearance with landscaping and by painting the chain link fence black. Click photos for larger view. Photographs by Michael Aiken.

Aesthetics and historic design considerations had not part of the process. The end result drew major criticism and compelled City Council to place the remaining three wooden bridges at York, Fairfield and Union Street on the historic register and to give the Design Review Board jurisdiction over the design of future bridges with a Certificate of Appropriateness required.

The Newberry Street Bridge
Erected circa 1852-1855

An 1893 newspaper account described the “dangerous” condition of the Newberry Street bridge. One hundred years later, in 1993, City Council members were discussing the “continuing deterioration” of the Newberry Street bridge and calling for its replacement. 

Also in 1993, the SCDOT backed out of an earlier commitment to help fund the rehabilitation of the Newberry Street and York Street bridges. This, even as the substandard condition of the railroad bridges was said to be compromising the response times of emergency vehicles. According to the City Manager at that time, “In the event of a fire, the city has to cross either the Laurens Street or Chesterfield Street bridges and then backtrack to the fire.”26

In 1994, a Newberry Street bridge inspection found no signs of erosion. In 1995, inspectors found the soil around the foundation caving in from erosion, which compelled the immediate closure and replacement of the bridge. This incident illustrated the speed with which critical damages can be inflicted to the foundation from the effects of rain in just one year’s time. 

Stories of flooding, landslides, cave-ins, and erosion, with attendant damage to tracks and bridges, have always existed in the railroad cut. Modern-day attention to stormwater runoff has abated, but not eliminated, the effects of weather on the landscape in the railroad cut.

In January 1997, City Council considered and approved the design for the Newberry Street bridge replacement. Included in the discussion were requests from Newberry Street residents to close this bridge off to vehicular traffic and make it pedestrian-only, as the bridge closure had made their neighborhood quieter and more close-knit. 

Newberry Street bridge railing. Photographer carlfbagge. Flickr album: Aiken, 2008.

Council voted to approve funding for the vehicular bridge. The SCDOT agreed to cover 80% of the cost, with the City and railroad company each paying 10%. The City paid an additional $29k above cost to fund a Historic Commission-approved bridge railing designed to be in keeping with the 1937-era railing on the nearby Chesterfield Street bridge. This brought the total shares for the railroad company and city to, respectively, $115k and $144k. 

During negotiations, the railroad company offered to pay the city’s share if the City would agree to take on the future responsibility for maintenance, repair and replacement of the rest of the railroad bridges. The City declined. 

The Chesterfield Street Bridge
Erected circa 1894-1897

Chesterfield Street bridge in 2008. The Newberry and Laurens Street bridges are visible beyond. Photographer: carlfbagge. Flickr album: Aiken, 2008.

A May 20, 1885 Aiken Journal and Review brief mentioned that a petition had been drawn up by Aiken citizens to have a bridge built over the railroad cut on Chesterfield just below the jail. Twelve years later, in December 1897, an agreement was reached between the City of Aiken and the South Carolina & Georgia Railroad for the railroad company to erect a bridge at Fairfield Street within 6 months and to rebuild the bridges at Laurens, Newberry and York within two years. The stipulation was that all these bridges be built in the same style as the “new”23 wooden bridge at Chesterfield Street. These newspaper accounts offer solid clues on when these bridges were built. 

The Chesterfiield Street bridge as viewed from the southbound lane of the York Street bridge. 2010. Photographer carlfbagge. Flickr album: Aiken, 2010.

The Chesterfield Street bridge was, of course, replaced in 1937 by the federal government, presumably as part of FDR’s 1930s New Deal infrastructure projects. The total cost for the 105-ft reinforced concrete bridge was $16,618. At 88 years of age today, the Chesterfield Street bridge could be Aiken’s oldest railroad bridge. Who knows? 

Views of the Chesterfield Street railing. June 2025. Photographs by Michael Aiken.

The York Street Bridge
Erected circa 1852-1855

Over the past 100 years, the York Street bridge(s) have reportedly been replaced four times — in 1933, 1952, 1993 and 2017. 

The newly-built northbound lane of the York Street prior to opening in 2017.
Photograph by Michael Aiken.

Before 1952, there was only one bridge at York. In 1952, a second bridge was added in the northbound lane. At that time, Aiken’s northside was experiencing major growth with the influx of population from the Savannah River Plant. 

In March 1993, Norfolk Southern began work tearing down and replacing the northbound lane of York Street. The construction took longer than expected due to a delay in the arrival of 39 specialty timbers needed to finish the job.27 The delay provoked a barrage of complaints and prompted SC House Representative Irene Rudnick to draft legislation requiring any bridge under 150 feet to have work completed within 60 days or face a $1000 per day fine.28 The railroad finished the northbound lane in October, followed by the southbound lane in December 1993.

The York Street bridge, northbound lane, as viewed from the Fairfield Street bridge in 2008. Photographer carlfbagge. Flickr album: Aiken, 2008.

Less than 25 years later, in 2016, the York Street bridges were closed by the SCDOT, their condition described as “dilapidated” and “in need of total replacement.”29 Because the bridges had been designated Historic Landmark status on the Aiken Historic Register in 2013, the design of the new 2017 bridge was drawn in collaboration with local historical preservationists, community input, local leaders, and the SCDOT. The idea was to preserve the historic, wooden-bridge aesthetic in a design with longer-term structural integrity.

ABOVE: More views of the newly-constructed York Street bridge replacement in 2017, taken in the days before official opening. Photographs by Michael Aiken.

The Fairfield Street Bridge
Erected in 1899

In December 1885, the Aiken Town Council instructed the Intendant (a precursor to the office of Mayor) to contact South Carolina Railway and request them to erect bridges “over their excavation where it crosses the streets of Fairfield and Chesterfield.”30 And to put teeth into the request, Council threatened legal action. 

ABOVE: The Fairfield Street bridge as it looked from the Colleton side looking toward Park Avenue in 2023, seven years into closure. Photograph by Laura Lance.

This was, perhaps, a reflection of the mood of a town through which a deep ravine had been dug some 30 years earlier, dividing the town in two; a severed town growing impatient with the railroad company’s unfulfilled commitment to reconnect the two sides of town with bridges.

The Aiken Town Council’s 1885 request for a bridge at Fairfield was followed eight months later by the Charleston earthquake, whose damages drove the railroad company back into receivership. The Fairfield Street bridge was finally built in 1899. 

Disclaimer: There are no standardized definitions in newspaper accounts to differentiate between terms such as built, rebuilt, replaced, repaired and rehabilitated. No attempt is made here to define or draw distinctions between these terms. Also, records regarding any replacements or major rehabilitation of the Fairfield Street bridge after its original 1899 construction are sparse and contradictory. Railroad company records could provide specifics, but are not integral to the purpose of this article.

Norfolk Southern spokespersons, quoted in various local media, have stated that the Fairfield Street bridge was “replaced” in 1952. According to a 2016 SCDOT bridge inspection report, the existing bridge was “built” in 1992. Yet, on January 12, 1998, the bridge made the AAA Carolina list of structurally deficient bridges. The bridge was closed for three days in February 1999 while the SCDOT did preventative maintenance on the timbers. “A single timber piling was added to the bridge to provide extra support next to a timber, which was rotting.”31

In 2016, the bridge was closed in the wake of an SCDOT structural inspection report that rated the conditions of its deck and superstructure as poor and rated the substructure, or foundation, as failed. A later inspection in 2020 by the engineering firm, Davis and Floyd found worsening in the bridge condition since the 2016 SCDOT report.

In late 2019, the SCDOT agreed to pay $1.3 million of the cost (then estimated at $2.1 to $3.1 million total) to replace the Fairfield Street Bridge. In 2020, during a City Council work session (see screenshots below), council members heard a presentation by Mr. Todd Warren, representative of the Columbia, SC engineering firm, Davis and Floyd. Three options for bridge replacement were reviewed.

Screenshots from minutes of September 14, 2020 City Council work session discussion on the Fairfield Street bridge to include a recap of the inspection reports and the three options for bridge replacement. Click for full-size view.

In 2020, the City lacked a clear path to funding its share of the bridge replacement. In 2024, the City was able to fund up to $3 million, the funding primarily sourced from Aiken’s share of the $600 million plutonium settlement awarded to the state in 2020. Under the agreement with SCDOT, the City is to assume ownership of this bridge in perpetuity.

In the absence of future nuclear industry windfalls, the funding for future bridge replacements may be stubborn to materialize.

The replacement cost for the Fairfield Street bridge was estimated at $184k in 1991. In 1993, the estimate rose to $450k. In 2013, the estimate was as high as $700k. In 2020, estimates were given for three different bridge options, ranging from $2.1 to $3.2 million. In 2025, those three estimates now range from $3.8 to $5.8 million, with the lower-priced option buying a bridge with higher repair costs that will also need to be replaced every 30 years.

Of course, the three options were for a vehicular bridge. To date, there have been no options offered for a pedestrian bridge. Given the large public support for a pedestrian bridge, as voiced in the May 6, 2025 Design Review Board City meeting, the pedestrian options should be on the table during the next round of discussions.

ABOVE: More views of the Fairfield Street bridge. May 2025. Photos by Michael Aiken.

The Union Street Bridge
Erected circa 1855-1861

An exchange of communications between the AikenTown Council and the attorneys for the railroad, published in the Aiken Journal and Review in 1885, indicated that there were several bridges built over the length of Aiken’s railroad cut by 1855, but a Union Street bridge was not one of them.32 In 1876, however, bids were being taken by Aiken County Commissioners for repairs or rebuilding of the Union Street Bridge.33 Considering these breadcrumbs of fact and the history, it is all but certain that the first Union Street bridge was built before the Civil War. 

The Union Street bridge viewed from the Fairfield Street bridge in 2009.. Photographer: carlfbagge. Flickr album: Aiken, 2009.

The Union and Fairfield Street bridges are the last two of the older-style wooden bridges that once spanned all six crossings. The railroad cut is shallowest at Union Street, which has compelled the shape of the bridge and its attending moniker, “high bridge,” for much of its existence. The bridge’s awkward configuration has been a factor in numerous accidents, mishaps, mysteries and tragedies over the years, not to mention the ongoing saga to maintain this perpetually crumbling structure. 

Certain allowances have always been made for the Union Street bridge, with a loyal following of admirers pushing back against talk of changing the bridge. It’s that higgledy-piggledy charm; it’s the fact that this is the last of the hump-backed bridges; it’s a fondness for the earlier era of steam engines, when all of Aiken’s railroad bridges had a similar vaulted shape, although none so high as the Union Street bridge. Even as its steep, gabled pitch was a necessity, the design has been the source of longstanding concern, as drivers were unable to see over their hoods while traversing the bridge, and were blind to pedestrians who might be crossing on the other side.

Union Street bridge deck in 2008. Photographer: carlfbagge. Flickr album: Aiken, 2008.

A November 1974 Aiken Standard story began with the question, “The Union Street bridge: Is it picturesque or just dangerous?” From there, the article described in words and photos a scene of “neglect” with trash littering the railroad cut below and, above, daylight peeking through a deteriorated bridge whose thick asphalt had eroded to reveal weathered and rotting planks; a bridge with “chunks of pavement the size of baseballs” scattered in its potholes; a bridge whose railing had been leaning “dangerously over the edge, pulling out its own nails.”34

Aiken Public Safety had reported the bridge’s “precarious condition” to the railroad company three months earlier, in August 1974, and the railroad company responded by sending its bridge supervisor to inspect the bridge.35 This was followed by a re-nailing of the bridge railing and by propping a wooden plank “between the bridge and a handy tree” to support the sagging rail. 34

As the article noted, the railroad company was bound by a 1898 agreement to maintain the bridge. The problem, (as would later be pointed out by City Attorney James Holley during City Council discussion in 1990 over the deteriorating conditions of the Newberry, York and Fairfield Street bridges) was that, while the 1898 agreement stipulated the railroad company would maintain the bridges, it did not specify the standards for that maintenance. 

A similar lack of specificity may have played a role in the railroad company’s failure throughout most of the 19th century to honor its early 1850s agreement to build and maintain the bridges across the railroad cut in exchange for permission from the Town Council to dig that red gash through the center of town. 

The 1974 condition of the Union Street bridge appeared to be a matter of history repeating itself. The City’s hands were already full that year with ongoing litigation with the railroad company and contractors over the collapse of the Laurens Street bridge earlier that year, so the issues of the Union Street bridge went unchallenged. Thebridge has been closed numerous times since the 1970s for repairs and rehabilitation of the decking.

In January 2023, the bridge was closed by the SDDOT due to “unspecified structural problems.” Replacement with a vehicular bridge is no longer being considered due to the degree of disruption this would create to the roadways, parkways, and neighborhoods on either side of the bridge. There is popular support for a pedestrian bridge. The feasibility and cost of this option have yet to be studied. 

ABOVE: The Union Street bridge in April 2023, three months after its closure in January 2023. Photographs by Laura Lance

ABOVE: More views of the closed Union Street bridge. June 2025.
Photos by Michael Aiken.

Looking Forward

Today, the 136-mile railroad from Charleston to Hamburg no longer exists. The current line runs from Charleston to Branchville, about 60 miles east of Aiken. It picks up again near the Oakwood community on the other side of Montmorenci. The railroad between Branchville and Oakwood was abandoned in the 1980s, and most of the tracks were removed by the 1990s. The surviving 13-mile track from Oakwood to Warrenville is currently leased by Aiken Railway, a short line railroad company whose freight includes kaolin, glass fiber products, and feed and seed. 

The physical presence of the historic Charleston to Hamburg line has all but vanished from the Aiken area over the past century. First went the steam engine, then the loss of passenger service in 1950, then the demolition of Aiken’s passenger station in 1954, then the incremental loss of freight service, the abandonment of the line, the tearing up of the tracks, the loss of the old wooden bridges, and the elemental disappearance of the very earth of the railroad cut — gone with the wind, along with a history that apparently cannot be told in polite company. 

What remains to Aiken is a working, 13-mile short-line railroad; two severely deteriorated wooden bridges; and a railroad cut whose ongoing erosion carries the potential to undermine the bridges and adjacent properties.

ABOVE: View of the Aiken tracks from near the intersection of Charleston Street and Park Avenue. June 2025. Photo by Michael Aiken.

Aiken is not the only town in the state to inherit a vanished railroad. Currently, 350 miles of South Carolina’s abandoned railroad beds have been transformed into parts of the Palmetto Trail, a network for pedestrian and bicycle travel, with an additional 150 miles planned. Repurposing old railroad beds for pedestrian trails seems a worthy form of preservation. The same can be said for the old wooden bridges.

During the May 6 Design Review Board meeting on the Fairfield Street bridge, a large number of people came to speak, with the majority in favor of making this a pedestrian-only bridge. As one speaker pointed out, the Fairfield bridge is part of the historic Colleton and South Boundary corridor — an area heavily traveled by people who come from all over town to walk, run, push strollers, bicycle, and walk their dogs. A pedestrian bridge in the most pedestrian-friendly neighborhood in town makes good sense. 

In a city increasingly estranged from itself by overdevelopment, we should be creating more of these places — more tree-lined streets where people might want to walk; more pedestrian-friendly neighborhoods; more bicycle-friendly routes and sidewalks for people to travel from one place to another.

Restoring Aiken’s last two wooden bridges to their original 19th-century uses, before the age of the automobile, seems a worthy form of preservation. Can this be accomplished without demolishing the bridges outright? Good question. This and all options for pedestrian bridges should be on the table for consideration. Drawing lessons from history, we always have the option to learn from our mistakes.


______________________

For Reference

  1. Editors, Journal and Review. “The Railroad Bridge Bill.” Aiken Journal and Review. December 15, 1897.
  2. Wilder, Mary. “Resurfacing of Laurens Street Bridge Immeasurable Relief to Motorized Population.” Aiken Standards and Review. July 12, 1966 
  3. Banton, Amy. “Laurens Street Bridge Continues to Collapse.” Aiken Standard, April 5, 2012. Bridge closed when passing motorist noticed the southwestern part of the bridge had sunk 16 inches.
  4. Lord, Philip. “DOT Backing Off on Aiken Bridges.” Aiken Standard. August 11, 1993. 
  5. Lord, Philip, “Timbers ‘Holding Up’ Bridge Repairs.” Aiken Standard. July 12, 1993. 
  6. Lord, Philip. “Bridge Work Delayed Again.” Aiken Standard. August 26, ne1993. 
  7. Editorial. “Aiken Needs to Fix its Wooden Bridges.” Aiken Standard. February 23, 2016. 
  8. Aiken Journal and Review. Page 3. December 23, 1885. 
  9. “Aiken Bridge Reopened.” Aiken Standard. February 20, 1999. 
  10. “Bridges Over the Railroad Cut.” Aiken Journal and Review. May 22, 1885.
  11. Public notice in Aiken Journal and Review. February 12, 1876.
  12. Wendel, Debby. ”Picturesque Bridge Still Needs Repairs.” Aiken Standard and Review. November 29, 1974.
  13. Wendel, Debby. ”Southern Railroad Bridge Precarious.” Aiken Standard and Review. August 17, 1974.

A Retrospective on Aiken’s Railroad Bridges: Part Two

By Laura Lance

Part Two of Three:
The Charleston-Hamburg Line
Romantic Notions
Learning Curves
The Railroad Cut

The Charleston-Hamburg Line

The South Carolina Canal and Rail Road Company built the original Charleston to Hamburg line, which was completed in 1833. At that time, it was the longest railroad line in the world.

Cut of “A new map of South Carolina with its canals, roads & distances from place to place along the stage & steam boat routes.” by Henry Schenck Tanner (1786-1858) in 1833. The  earliest general map to show the South Carolina Canal and Rail Road Company’s line. Altered.

Within 10 years, other new companies were started and new lines laid throughout the state. By the start of the Civil War, South Carolina could boast 13 railroads with over 985 miles of track. By the turn of the twentieth century, the 136-mile Charleston-Hamburg line would be part of an elaborate network spanning the entire country, encompassing nearly 200,000 miles of railways.7

The ownership of the Charleston to Hamburg Railroad was reorganized and/or changed hands several times during the 19th century and beyond. Each of these changes represented periods of growth and/or financial struggle. 

  • South Carolina Canal and Rail Road Company: 1828 (bought by the Louisville, Cincinnati & Charleston Railroad Company in 1937)
  • South Carolina Rail Road Company, 1843
  • South Carolina Railway Company 1881
  • South Carolina and Georgia Railroad Company 1894
  • Southern Railway Company 1899
  • Norfolk Southern Railway 1982 [Aiken Railway 2012, a short line railroad, leases local track from Norfolk Southern]6

During lean times, the line did well to survive. During periods of prosperity, improvements were made. The construction of Aiken’s six railroad bridges was roughly aligned with two periods of prosperity. The first occurred during the decade after the railroad cut was created, (1852-1862), and the second occurred during the final decade of the 19th century. 

These two periods bookended the Civil War and its aftermath, which had left the state economy threadbare and the railroad in shambles. The company was fairly quickly able to recover the tracks and other infrastructure destroyed by Sherman’s troops in 1865, but numerous other factors drove the company deeper into debt. In 1878, the South Carolina Rail Road Company was forced into receivership and sold at auction in 1881 to northern capitalists, who took control from the Charleston capitalists who had managed and directed it for over 50 years.7

Five years later, the newly-formed South Carolina Railway Company would take two major hits. In the first, the company was forced to change the gauge of the tracks — and, accordingly, acquire a new fleet of cars and engines — to match the standard across the Eastern Seaboard. The second was the Charleston earthquake of 1886, whose estimated magnitude of 6.9-7.3 rocked the entire state, the shock and damages extending into every region, including Aiken County.

“Wrecked at Langley.” One of two train derailments caused by water from the dam breaks at Langley and Bath during the Charleston earthquake of August 31st, 1886. Photographed by James A. Palmer, Aiken, S.C. In the public domain.

In Horse Creek Valley, the Langley dam broke, followed by the Bath dam. In the wake, two different trains derailed, their engines washed off the tracks. The lives of two engine firemen were lost in the two wrecks.The railroad was to fall back into receivership and changed hands twice more before the turn of the century.7

Prosperity began to take root, however, with the rise in passenger service during the 1880s-1890s . In the mid-1890s, the Chesterfield Street bridge was built. In 1897, following years of tension over issues with the railroad bridges, an agreement was reached between the South Carolina and Georgia Railroad Co. and Aiken officials. The company was to replace the York, Newberry and Laurens Street bridges within two years, with designs to match the newly-built Chesterfield Street bridge.8 In 1899, the company erected a new bridge at Fairfield Street and built Aiken’s Southern Railway passenger station at Union Street.

Postcard: The Southern Railroad station. Hugh C. Leighton Co., Portland, Maine (publisher) 1905. This work is in the public domain.

For the next 50 years, the railroad’s financial health ebbed and flowed with US wars,  booms, busts, and the Great Depression. By 1950, the railroad industry had made the switch from steam to diesel, which marked the swan song of the steam locomotive.

ABOVE: From the publication, “The First Quarter-Century of Steam Locomotives in North America.” Smithsonian Institution. Smith Hempstone Oliver, Curator of Land Transportation. United States National Museum. Bulletin 210, page 4. Click to view full size.

Southern Railway discontinued Aiken’s passenger service in 1950, citing declining demand and lack of profitability. This decision had been fought for two years prior by city leaders, merchants, the Aiken mayor, and also representatives from Branchville, Augusta and other towns along the line that would be affected by the closure.9 In 1954, Southern Railway demolished Aiken’s passenger station — again, over the protests of local leaders and merchants, who had requested the railroad donate or allow the city to buy the passenger station to be repurposed as a bus station or be used for other municipal functions. 

The loss of the passenger station and of passenger service — a fixture in Aiken since the first passengers arrived to town on the Charleston-Hamburg line in 1833 — changed forever a way of life in Aiken.

Romantic Notions

Aiken’s railroad history is marked by romantic notions, one being the idea that the train was built for the purpose of transporting wealthy travelers from the Low Country to Aiken to escape the heat and enjoy Aiken’s renowned healthful environment . This happened, of course, but it was freight service — specifically cotton trade — that brought the railroad to Aiken.7

Also, contrary to popular belief, no one ever rode the original “Best Friend of Charleston” to Aiken. That locomotive exploded in 1831 and never made the trip to Aiken. More on this in a moment.

Another romantic notion that reads like a page from the Scarlett O’Hara playbook is the story of the dashing civil engineer winning the hand of the beguiling plantation owner’s daughter in exchange for bringing the railroad to daddy’s doorstep. Left on the cutting room floor of that tale are the roles of the cotton trade, topography, and a man named Abram Blanding.

The establishment of the railroad was a long-contemplated effort, whose impetus grew during a series of economic blows to the state. First were slashed cotton prices in 1818-1819. This was followed by a general collapse of the US economy with the Panic of 1819. On the heels of this, a succession of tariff laws was passed in the 1820s that disadvantaged cotton growers and led to the nullification crisis. South Carolina was on the frontlines of this battle. The need to get upstate cotton to the port at Charleston was urgent.7

Wagon transport over South Carolina’s notoriously bad and often impassable roads had proven no competition for the efficiency of the river barge. Before the Charleston to Hamburg railroad was built, upcountry growers in traveling distance to Augusta hauled their cotton by wagon to Hamburg for transport down the river to Charleston’s rival port in Savannah.

The 1821 chartering of the town of Hamburg on the Savannah River  was one of the state’s first efforts to link trade from the South Carolina upcountry to Charleston. Another was the construction of numerous canals throughout the state in the 1820s to float the cotton to Charleston. Another was the chartering of the South Carolina Canal and Rail Road Company in 1827 to explore the possibilities of digging canals and/or building rail roads to bring the cotton from Hamburg to Charleston.7

Toward this end, in 1827, the superintendent of the state’s public works, Abram Blanding, was directed by the SC legislature in to survey the lands between Charleston to Hamburg for a possible canal and/or railroad. He and his crew of engineers quickly deemed a canal too difficult and expensive, however they found the rail road idea “perfectly practicable.”10

In 1828, several years before Pascalis and Dexter mapped out the route, Blanding’s report presented four possible means for the route. Only two involved completion of the rail line to Hamburg. The first route took a circuitous path that would add an additional six miles to the route, “the price which must be paid to avoid a stationary engine,” Blanding wrote.10

In the second route, he described the potential ascent from Hamburgh:

The Valley of Horse Creek may be followed up to Wise Creek, [an early name for Sand River, a tributary of Big Horse Creek] which on the map is represented as heading near the Horse Pen Pond, [near the present day Levels Baptist Church] and up the valley of the latter creek to one of its head branches, one of which is found to be 160 feet lower than the summit, and 215 higher than Hamburgh — the road from Hamburgh into this branch may be graduated on a rise of less than 20 feet to the mile, and the remainder of the ascent must then be gained by a stationary engine working on an inclined plane, of any angle or rise which may be deemed advisable.”10

ABOVE: Cut of 1827 map, “North and South Carolina” by H.S. Tanner. Locations cited in Blanding’s 1828 description are visible. Click to view full size.

Learning Curves

Peripheral but important to the history of the Charleston-Hamburg line were the multiple learning curves inherent to developing and constructing — through trial, error, sometimes failure, and with very limited funding — a new mode of travel.  An early failure was the Charleston-Hamburg railroad track, which had to be laid not once, but twice during the 1830s.

For another, there was much to be learned about building the iron horse. How to power this locomotive — with wind, horse, steam or slave? The decision went to steam. While the 136 miles of tracks were being laid, numerous steam engines were built, tried, and improved upon. Among them were the West Point, the South Carolina, the Charleston, the Barnwell, and the Edisto. Each engine provided the trial-and-error lessons (e.g. weak wheels, broken axles, boiler failures) necessary to improve the engine for final success.7

ABOVE: Three illustrations of 1830s era Charleston-Hamburg line steam engines from the article, “The Growth of the Steam Engine” by Professor R. H. Thurston The Popular Science Monthly, January 1878. In the pubic domain. 

The Best Friend of Charleston was the first engine to be built and subsequently improved upon. It was also the first to carry passengers and mail. The Best Friend’s run was limited to a short line service that ran a 6-mile length of track from Charleston to Summerville for six months during 1830-1831, before the infamous boiler explosion that destroyed the engine. Lesson learned through trial and error: engine workers needed to be trained for the job.

Another engine, the Phoenix, was built from the remains of the Best Friend. The Phoenix may or may not have been the first engine to make the maiden 1833 trip from Charleston to Aiken to Hamburg. There were three engines in good service that year — the Phoenix, the Barnwell, and the Edisto — that could have made the trip; however, the name of the first engine to make the historic 136-mile to Hamburg on October 3, 1833 seems lost to history, entirely eclipsed by the name of the little engine that exploded two years earlier and, therefore, couldn’t.

In addition to the engine, there were freight cars, passenger cars, tender cars and lumber cars, whose construction and designs also had to be worked out through trial and error. 

The railroad track provided an even steeper learning curve. How to build a track capable of carrying a heavy locomotive (whose design was still in its infancy) over 136 miles of variable terrain? Economic considerations led to a heavy dependence on wood, which was largely free and available along the route. Without an extravagance of free wood (according to one estimate, 12 acres of trees per mile for the crossties, alone), the railroad could not have been built. 

The first of the two Charleston-Hamburg rail beds, built in the early 1830s,  didn’t resemble the earthen embankments of today. The tracks were elevated on wooden pilings.Think of a 136-mile-long bridge or trestle that ran over marshes, swamps, creeks, and long stretches of gently rolling landscape. Depending on the elevation in any given area, the height of this trestle could be 6 to 12 inches above ground, or it could rise 25 or more feet in height. 11

The wooden piling system proved a fast failure. Despite being made of hard, resinous longleaf pine — one tree per piling — they began rotting at soil level within the first two years, causing a number of train derailments. Between 1834-1839, the old tracks were rebuilt using a system of primarily earthen embankments and trestles. 

The inclined plane — an elaborate device employed to raise and lower the locomotive up and down the steep grade into Horse Creek Valley — also proved impractical. While the inclined plane drew curiosity and awe, it was widely panned in its day because it was dangerous, time-consuming and difficult. The inclined plane was dispensed with during its second decade. In 1852, and at great expense, the line through town was rerouted through the railroad cut that was dug through the center of Aiken.

There have been several discoveries of the original tracks over the years. In 1944, excavators working for the Graniteville Company uncovered a buried section of the wooden structure in Warrenville. In 1985, more remnants, bared by erosion, were found along Cathedral Aisle in Hitchcock Woods by Dr. W.P. Bebbington. In 2016, more remnants of the original track and parts of the inclined plane were discovered up near the Aiken plateau, washed into Sand River near the Devils’ Backbone trail, part of the original railbed, in Hitchcock Woods.11

The Devil’s Backbone trail in Hitchcock Woods, part of the original South Carolina Canal and Railroad Company railway bed.

There were several incarnations of the inclined plane used in Aiken, the first of which was powered by slave labor. In fact, nearly every aspect of the railroad’s construction and operation — indeed, the very existence of the railroad and the cotton industry that gave birth to its Aiken destination — was only made possible through land grants, cheap land, free wood and slave labor.12

Slaves — both men and women — did the hard labor of building the railroads. Slaves felled the trees, hauled the timber and cut the wood to make the rails, crossties, pilings, bridges and trestles. They drove the pilings deep into the earth every 6-1/2 feet for 136 miles. They battled quicksand, hard clay, marshes, swamps, malaria and yellow fever to build the line to Hamburg. Once the railroad was completed, slaves performed the frequent inspections, upkeep and repairs over every mile of track. Slaves operated the locomotives, working as brakemen, firemen and enginemen.  When the tracks disintegrated, and the trains derailed, slaves cleared, repaired and rebuilt the mess. Slaves cooked the food to serve the passengers, hauled the baggage and trunks, and polished the boots that stepped off that train. Slaves planted, hoed, picked and baled that upcountry cotton — including Mr. Williams cotton — all bound for the port at Charleston and onward to England. Slaves turned the cranks to operate the inclined plane in Aiken, and when the inclined plane proved too impractical, slaves were put to work digging the deep railroad cut through Aiken. Slaves all but certainly built the first bridges across that red clay gash.

And when slavery ended, those former slaves — the strong and able-bodied among them — were arrested on spurious charges and forced back into labor with the convict leasing system,13 which farmed these prisoners out to railroad companies to dig more ditches, clear more forests, and to lay and repair thousands more miles of track.

“We punish a man who steals a loaf; if he steals an entire railroad, we say a financier; let us ask him to dinner.” Rev. Dr. Wayland

Throughout the 19th century, railroad companies, including the South Carolina Canal and Rail Road Company and its successors, were among the largest owners of slaves and lessees of enslaved humans and convict labor. These workers suffered the most grueling jobs under the cruelest of conditions. The death rate was high and rarely recorded.

“The convict labor is contracted for, and is of great value in the building of the railways and the clearing of forests. As a rule, the men are worked from dawn to dark, and then conveyed to some near point, to be locked up in cars or barracks constructed especially for them. They are constantly watched, working or sleeping ; and the records of the Penitentiary show many a name against which is written, ‘Killed while trying to escape.’” (From the 1875 publication, “The Southern states of North America: a record of journeys in Louisiana, Texas, the Indian territory, Missouri, Arkansas, Mississippi, Alabama, Georgia, Florida, South Carolina, North Carolina, Kentucky, Tennessee, Virginia, West Virginia and Maryland.” By King, Edward. Page 120. In the public domain.

After the railroad cut was completed in 1852, 130 slaves, 85 mules, 3 horses, 90 carts and harnesses, 25 wheelbarrows, shovels, and other equipment used for the excavation were advertised for sale to the highest bidder. The cut, which cost $125,963.94, is a significant physical feature of Aiken. It is of interest because of its association with the railroad that caused the town to be planned and with the institution of slavery. Consequently, although it is not a beautiful feature, it is one that should not be hidden or disguised.” — from page 30 of the Aiken Design Review Board Manual

The Railroad Cut 

The Southern Railway Company abandoned Aiken’s railroad cut in the early 1960s. The 6.2-mile line from Aiken to Warrenville remained unused for nearly 15 years, except as storage for a long string of boxcars unceremoniously parked on the line and left to the whims of vandals and rust. In 1967 — and in the wake of several calls for the Aiken Fire Department to put out fires in the boxcars — the City threatened to sue Norfolk Southern. The boxcars were rearranged into a satisfactory compromise. The abandonment of the Aiken to Warrenville line was, perhaps, the public face of an industry in steep decline.

Against this backdrop, Aiken was hit on the night of April 15, 1969 with 9.68” of rain over a period of 7 hours, provoking severe flooding throughout the city from Crosland Park, to the downtown, to the southside and the westside.The Rollingwood Road area in Kalmia Hills was catastrophically deluged, with water said to be rising one foot per minute at one point, as the railroad embankment (which was constructed at the same time as the railroad cut in 1852) essentially acted as a dam. The waters rapidly rose to roof level in a period of less than 30 minutes. Neighbors and firemen with boats quickly responded to provide emergency rescues, some from second-story windows.14

Questions over the railroad’s role in helping address the causes of the flooding in the Rollingwood Road area are reflected in City Council minutes, which convey the frustration among citizens and City officials over the railroad’s response to calls for the company to take a role in addressing stormwater and drainage issues involving railroad property.

ABOVE: Screenshots with excerpts of discussion from April 25, 1969 Aiken City Council meeting minutes. Click to view full size.

The discussions surrounding the April 1969 flood bled into existing concerns over the effects of the City’s stormwater on the ecology of Hitchcock Woods. This was a longstanding issue that began during the Winter Colony building boom that peaked in the 1920s, and exponentially worsened with the population explosion brought by the construction of the Savannah River Plant in the early 1950s.

In 1956, a study was undertaken by the City and an emergency plan enacted to address the stormwater, which had dug a “gully” fifty feet deep and 100 feet across Sand River. This followed a failed effort years earlier to direct the water down into the woods via a concrete flume. The gully that had since formed in the ruins of the concrete flume was now caving in beneath South Boundary Extension/Hitchcock Lane dirt road, posing danger to passing cars. A plan was devised to correct the situation in two ways — by filling in the gully and by piping the water further down into the woods before allowing it to “run free.”15

By 1974, the remnants of the numerous efforts to contain the water were “littering” the floor at the mouth of Sand River, which was now being termed a canyon.16

Decades of dumping increasingly huge volumes of stormwater into the Woods had inflicted flooding, erosion, landslides and tree-smothering sediment that were damaging the ecology of the woods with force violent enough to topple trees, carve towering canyons over Sand River, and dislodge concrete slabs from former (failed) retaining walls. The historic Horse Show Grounds in the woods had to be relocated twice due to siltation.

The cause was taken up by Friends of the Woods, Inc., an environmental conservation group formed to protect and advocate for the Woods. They claimed that the difficulty of resolving the City’s stormwater issues was aggravated by the railroad cut and embankment. The group urged the City to take control of the then-abandoned railroad cut and use it to pipe the City’s stormwater away from the Hitchcock Woods and down the cut into a series of retention ponds and/or discharge it into Horse Creek.17

Meanwhile, the abandoned railroad cut was gathering weeds, garbage and trash. Stormwater was left to erode away the railroad cut, threatening to undermine the bridges. The railroad company disavowed responsibility for the bridges and turned a deaf ear to the steady stream of complaints by city officials and citizens. At some point, the railroad company tore up and/or partially demolished some stretches of track in the railroad cut. Teenage drivers were known to take joyrides in the ravine during those days.

In June 1972, the City hinted that it might go forward with action to condemn the railroad cut and seize the land by eminent domain. The city hoped, in part, to use access to the cut to address the stormwater issues. The railroad threatened to fight such a move and, in December 1972, announced plans to reopen the railroad cut.

In response, a group protest was mounted by Friends of the [Hitchcock] Woods, affected Kalmia Hills property owners, and the Aiken City Council. The group requested that the Interstate Commerce Commission (ICC) provide an Environmental Impact Statement. Southern Railway was asked to provide financial and economic data to justify reopening the line. 

Suits were waged18; the results of the Environmental Impact Statement were contested, with the results deemed “grossly inadequate,” and “at great environmental cost.”19 Somewhere along the way, in January 1974, the Laurens Street bridge collapsed. More lawsuits were waged.

“Ironically, the bridge fell in as a result of work being done to expedite the flow of still greater quantities of water into the main branch of Sand River.”16 — W.P. Bebbington

In November 1975, the Laurens Street bridge was rebuilt and reopened. At the same time, an agreement was reached to relieve the railroad company of responsibility for the maintenance and future replacements of that bridge.

In March 1976, City Council passed a Resolution stating the City, Friends of Hitchcock Woods and affected Kalmia Hills residents “vigorously protested”20 the reopening of the railroad cut. According to a timeline prepared and presented to City Council that same month by Friends of the Woods member, Dr. W.P. Bebbington, the Southern Railroad Company had stopped using the cut in the early 1960s and then applied to the ICC in 1969 for permission to abandon the 6.2-mile line from Aiken to Warrenville. Permission was granted in 1970 and took effect in 1971. 

According to Southern president W. Grahm Claytor, the ICC application was “merely to formalize the termination of operations over this line, with the right at any time to request restoration of services when and if this appears justified.”21

In November 1976 (by which time dust from the bridge collapse and the lawsuits had mostly settled), the railroad began the work of cleaning up the ditch and reopening the line.

“Sand River. Aiken, South Carolina” By James A. Palmer. 1870s. In the public domain.
A view of Sand River in the 1870s, likely similar to the landscape that met Abram Blanding’s engineers when they surveyed this area in 1827-1828.

Over the next forty years, millions of dollars would be spent on studies and stormwater remediation efforts. In 2022, the Hitchcock Woods/Sand River stormwater issue was finally addressed through a $16 million project to install massive underground detention vaults near the head of Sand River to both contain and slow down the velocity of the water entering Hitchcock Woods.22

______________________

Next

Part Three of Three: The Railroad Bridges

For Reference

FEATURE PHOTO: Bridge Deck Detail. Fairfield Street bridge Photographer: carlfbagge. Flickr album: Aiken, 2008. https://www.flickr.com/photos/12535240@N05/2539409343/in/album-72157623125207498

  1. Timeline compiled from “Southern Railway History” at the website Southern Railfan.
  2. Primary information on this history compiled from the pages Charleston & Hamburgh Railroad, and South Carolina Canal and Rail Road Company, and South Carolina Railroad/Railway, and Southern Railway at the website carolana.com
  3. Aiken Journal and Review, December 15, 1897.
  4. ”Aiken Representatives Fight Removal of Trains at Hearing in Columbia.” Aiken Standard and Review. November 24, 1948.
  5. Law, Donald M., Associate Editor. “Blanding was Genius Behind Aiken’s Railroad” and “Blanding Deserves the Credit for Aiken’s Existence.” Aiken Standard. March 15, 1987.
  6. Wayt, Howard. “Railroad Tracks Belonging to the South Carolina Canal and Railroad Company, c.1839–1852.” IA. The Journal of the Society for Industrial Archeology 42, no. 1 (2016): 19–36. https://www.jstor.org/stable/26606651.
  7. Witcher, T.R. The Birth of Steam Engines: The Charleston-Hamburg Railroad. Civil Engineering, September 2017.
  8. Washington, Clara Olds Keeler. Crime of Crimes; or The Convict System Unmasked. Also: pdf.: 1908. African American Pamphlet Collection, Libarary of Congress. In the public domain.
  9. Hindman, Emily. “Aiken Area Mops Up After Costly Flood.” Aiken Standard and Review. April 17, 1969.
  10. ”Sand River Erosion Under Study by City.’ Aiken Standard and Review .July 14, 1956.
  11. Bebbington, W.P. “Hitchcock problems increase as developments close in.” Aiken Standard. February 28, 1974.
  12. Bebbington, W.P. “A Program Toward Solution of Hitchcock WoodS Problems.” Aiken Standard. March 1, 1974.
  13. Wendel, Debby. “Council to consider bridge suit.” Aiken Standard. May 8, 1974.
  14. Wendel, Debby. “Environmental Study Labeled Inadequate.” Aiken Standard. July 5, 1974.
  15. Aiken City Council meeting minutes. March 8, 1976.
  16. Hindman, Emily. “Railroad Cut Bridges are Major Problem for City.” Aiken Standard. September 9, 1971.
  17. Staff Reports. “Innovative Stormwater Project Protects Hitchcock Woods.” Aiken Standard. December 26, 2022.

For More Reading

A Retrospective on Aiken’s Railroad Bridges: Part One

By Laura Lance

Part One of Three:
– Questions on Restoration
– Just How Old is That Old Bridge?
– The 1990s
– The Elements
– Some Recollections

__________________________

Questions on Restoration

Recent discussions on the Fairfield Street bridge have centered around the possibility of making it a pedestrian-only bridge. Matters of historic preservation and restoration have naturally been part of these conversations. At least one person has raised the possibility of a study to see if, rather than resorting to demolition, the existing bridge — whose components have all been found to be in poor to failed condition — can be restored, partially or in full, to serve as a pedestrian bridge. 

Most any structure can be restored, given enough time and money.  The question becomes, what is realistically possible for this bridge?

Specialists in historic wooden bridge restoration could bring insights to the table. Local officials with knowledge of the past could attest to the bureaucratic gridlock and the lack of funding that have kept these bridges in a chronic state of decay and disrepair for much of the past 175 years. As a native to Aiken, I can offer that the two railroad bridge collapses that occurred during my lifetime were attributed, in great part, to erosion, lack of maintenance and/or a heavy rainfall.

Certainly, the railroad bridges are historic; the railroad cut is historic; the role of the railroad in the founding of Aiken is historic. But what do we really know of this history? What physical aspects of this history are we seeking to preserve? What is physically left to restore?

ABOVE: View of the tracks in railroad cut as seen from bridge.
Photograph: carlfbagge. Flickr album: Aiken, 2008.

Some Histories

Just How Old is That Old Bridge?

Aiken’s old wooden railroad bridges didn’t arrive to the late 20th century/early 21st century era with their original 19th century construction. While records on these bridges are spotty, sometimes contradictory, sometimes incorrect, and often difficult to confirm, enough records exist to show that all of these bridges have been heavily altered, rebuilt and/or replaced to varying degrees over the years. None of these bridges retains its original construction.

This is because the lifespan of the wood in the old bridges was measured in decades, not centuries. The most recent replacements of the York Street bridges illustrate this ongoing reality. The bridges were demolished and replaced in 1994. Less than 25 years later, in 2017, the bridges were again demolished and replaced, the latter replacement a single-span steel hybrid bridge with wood decking, wood railings, and a predicted lifespan of some 75 years.

The proposed Fairfield Street bridge replacements also reflect this reality. In the May 6, 2025 Design Review Board (DRB) meeting, three options were presented for the Fairfield Street bridge replacement (see pages 196-197 of the DRB Agenda package). The life cycle costs on Options 2 and 3 (see page 158 of this same agenda package) include bridge replacement every 30 years.

  • Option 1; a single-span steel hybrid bridge similar to the 2017 York Street Bridge replacement.
  • Option 2 — a 3-span Glu-lam timber bridge. .
  • Option 3 – a 3-span timber bridge similar to the existing bridge.

A speaker in this same meeting said that the Fairfield Street bridge replacement “may likely serve us for the next 100 to 150 years, like the current bridge had.” This may have left some individuals with the impression that the wooden structure we see today is original to its 1899 construction, which is not accurate. 

So how old is that bridge? How old is the decking? The foundation? How old are the timbers in the railings, girders, beams, piles and piers?

Norfolk Southern spokespersons have been quoted as saying that all of Aiken’s wooden bridges were replaced in 1952, which would be the same year a second York Street bridge, (the northbound lane), was added. This would be a logical timeframe, as it would coincide with the influx of federal dollars and some 100,000 workers and new residents to Aiken in 1952 during the construction of the Savannah River Plant. If true, the oldest timbers of the Fairfield Street bridge may date to 1952, with the most recent timbers dating to repairs in 1999 and 2009. 

The 1990s

Pick a decade, any decade. The stories are remarkably similar, repeating from one to the next. The 1990s is as good a time as any to recap the typical issues these bridges have brought to the table over the course of any decade.

September 1990: City Council discussed the continuing deterioration and need to replace the bridges at Fairfield, York and Newberry Streets. Also on tap were discussions on upkeep and funding, with City Attorney James Holley citing an 1890s agreement that stipulated the railroad company would maintain the bridges, but which hadn’t specified the standards for that maintenance.

April 1991: City Council discussed the possibility of using funds available through the Federal Bridge Replacement Act to replace the Newberry and York Street bridges. (The Fairfield Street bridge did not qualify for this funding.) According to SC Department of Transportation (SCDOT) estimates, the replacements for Newberry and York Street bridges would cost, respectively $352,000 and $604,000. The City and Southern Railway each agreed to pay 10% of these costs. 

October 1991: City Council approved an agreement with the SCDOT for replacement of the Newberry and York Street bridges. The work was to be tackled within the next 2 to 5 years. At that time, the SCDOT also recommended closing the Fairfield and Union Street bridges.

March 1993: Norfolk Southern started work demolishing and rebuilding the northbound lane of the York Street bridge. The southbound lane followed, with work completed in December 1993. 

August 1993: The SCDOT backed out of the October 1991 agreement due to a later SC Highway Commission decision to replace only a fraction of the state bridges earlier committed to. 

September 1993: City Manager Steve Thompson said during a City Council meeting that railroad bridges at Newberry, Fairfield and Union needed replacement. He said that the cost estimates, which he placed at about $450k per bridge, were prohibitive for the City.

October 1994: An Aiken Standard editorial made mention that the Fairfield and Union Street bridges had recently been rebuilt. (I was unable to find confirmation that this happened, although, but did find a February 2016 SCDOT bridge inspection report stating that existing Fairfield Street bridge was “built” in 1992).

October 1995: The Newberry Street bridge was closed after SCDOT inspectors found “holes in the surface” and “the soil around the foundation caving in.”1

February 1997: The SCDOT bridge design engineer was quoted in Aiken City Council minutes as saying the Union, Fairfield, York and Chesterfield Street bridges were in “relatively good shape.” 

July 1997: Work began on the Newberry Street bridge replacement at a cost of approx. $1.15 million (not quite double the 1991 estimate), with the majority of funding coming from the Federal Highway Department.

February 1999: The Fairfield St. Bridge was briefly closed to repair rotten timber, pilings. and bridge decking.

Two notable points emerge from reading the accounts of the 1990s. For one, the railroad company wanted to turn over responsibility for all future bridge upkeep, maintenance, repairs and replacements to the City. For another, the SCDOT was recommending the permanent closure of both the Fairfield and Union Street bridges. 

The Elements 

Aiken’s climate is ideal for wood decay, between the annual rainfall and warm temperatures, both of which are friendly to the fungi and bacteria that break down wood. Aiken’s rainfall has also been responsible for the erosion, flooding, stormwater issues, landslides and cave-ins that have undermined tracks, bridge foundations, and properties adjacent to the railroad cut over the past 175 years. 

Railroad cut erosion from 2008. Photographs: carlfbagge. Flickr album: Aiken, 2008.

An 1893 newspaper account described a badly washed embankment at the Laurens Street bridge. An 1899 account described more of same due to a heavy rainfall. A 1912 landslide caused a train to wreck, derail, and damage the supports to the Newberry Street bridge.  In 1917, a particularly large landslide behind the Wilcox disturbed guests as an estimated 100 tons of red clay fell, covering the railroad track. Several landslides occurred in the railroad cut in 1925.

In 1929, a torrential rainfall — said to be the heaviest rain in the memory of some of Aiken’s oldest residents — flooded the railroad cut, causing a landslide in the railroad cut near Chesterfield Street and completely submerging the tracks in some areas. In 1959, a heavy rain flooded the railroad cut at the Union Street bridge — a chronic issue dating back to the 19th century.

Issues of bridge condition and erosion inside the railroad cut continued throughout the 1960s and 1970s and onward. According to a 1971 Aiken Standard article titled, “Railroad Cut Bridges are Major Problem for City,”2 local officials had “repeatedly called he railroad’s attention to its responsibility in maintaining the bridges” and implored them to address “grave concerns at the generally deteriorating condition of the Laurens Street bridge.” The City manager wrote directly to the railroad president.

In 1971, for the second time in a year, the Laurens Street bridge was closed and declared “unsafe.”3 A combination of causes was cited — erosion, lack of maintenance, and a heavy rain that undermined the track, severed a water main in the cut, and caused the bridge’s concrete foundation to crack.

In 1974, as contractors for the City worked to install a stormwater drainage pipe, the bridge collapsed. Afterward, the city manager was quoted in an Aiken Standard article titled “Council to Consider Bridge Suit,” as saying the bridge “was not in sound condition before it fell,” and saying about the railroad company, “We feel that they do have liability for the collapse.”4

In 1975, the Laurens Street bridge was replaced with a pre-stressed concrete and steel bridge. History repeated 37 years later with a second bridge collapse in 2012.5

In the wake of the second collapse, matters of the railroad cut were discussed during an April 17, 2012 City Council meeting, excerpts of which can be read in the four screenshots below. 

ABOVE: Four screenshots from April 17, 2012 City Council meeting minutes. Click to view full-size.

Over the past decade, three major stabilization projects have been completed in the railroad cut, with most of the work occurring in the embankments behind the Wilcox, between the Newberry and Chesterfield Street bridges:

— 2017 Stabilization of the York Street bridge abutments using soil nails and colored shotcrete during the replacement of the two bridges. 

— 2017 Stabilization of the railroad cut embankment at the Chesterfield Street bridge using soil nails and colored shotcrete as part of a stormwater drainage project.

— 2018 Stabilization of the embankment behind the Wilcox Inn to address the growing threat to the foundation of the historic inn caused by a chronic erosion and acute damages caused by fallen trees/loss of root structure in the embankment during the ice storm of 2014. This was a two-phase project, named the Historic Railroad Cut Stabilization Project, which involved geotechnical evaluation of the embankment, followed by extensive work to stabilize the embankment including soil nails and the application of colored shotcrete. The $2.18 million project was funded with FEMA grants and matching local funds. 

ABOVE: Images from the three railroad cut stabilization projects completed in 2017 and June 2018.. Note the shotcrete (concrete) covered embankment in the staircase photo, dyed to match the native clay. Photographs: Michael Aiken

ABOVE: June 2025 images of the railroad cut stormwater drainage and stabilization work behind the Wilcox Inn and beside the Chesterfield Street bridge completed in 2017-2018. Note that the surface treatment is shotcrete, a type of concrete product, that was dyed to match the color of the native red clay. Photographs: Michael Aiken.

No matter if crossed by foot, wagon, horse or car, Aiken’s wooden bridges have always been high-maintenance, needing frequent, inspections, upkeep, repairs, and some form of rehabilitation every 7-8 years; some would argue 10-15 years. The bridges have needed major rebuilding or replacement every 20-30 years. The railroad cut has likewise needed regular inspection, and the recently-stabilized embankments and bridge abutments will likewise need periodic inspections.

Whose job will this be going forward? Who, if anyone, is responsible for addressing standing water and erosion in the railroad cut? Who has the power to enforce that responsibility? What authority, if any, does the City have to protect the foundation of a bridge planted on someone else’s property?

The railroad cut viewed looking east from the newly-built York Street in 2017. The Fairfield Street bridge, closed in 2016, is visible in the near distance. Photograph: Michael Aiken.

Some Recollections

I grew up with these bridges. I always liked their ramshackle construction and the familiar clickity-clack sounds of the decking boards when cars crossed over. In my earlier years, I regularly crossed all the bridges on foot to go downtown to the movies, the pool hall, the sub shop, the stores, school and the library (then located at the corner of Hood and Laurens). The Fairfield Bridge, with its leafy canopy of trees, was always my favorite. I crossed it with my best friend on summer days to buy comic books and candy at the Johnson Drug store. I have vivid memories of crossing it on spring mornings on my way to Schofield and pausing halfway across the bridge, just to take in the pretty view down the east side of the track. Today, even in its decline, the Fairfield Street bridge is the only wooden bridge that still looks like old Aiken. The others are all changed now; ruined.

Although the new design for the York Street bridge is an improvement over the generic, concrete ugliness of the Laurens Street bridge replacement, I still miss the dark, creosote-soaked timbers of the old bridges. I miss the decking boards laid perpendicular to the sides. That’s what makes the memorable clickety-clack sound. Whatever their construction, those old wooden railroad bridges felt solid to me.

ABOVE: Bridge deck detail on Fairfield Street bridge in 2008. Photograph: carlfbagge. Flickr album: Aiken, 2008.

The Union Street bridge was always the outlier. Most people either love or hate the Union Street bridge. It was always my least favorite, even before the time I became airborne during my first trip over it as a teenage driver in the 1970s. For as long as I can remember, the Union Street bridge, or “high bridge” as some called it, felt and looked rickety. I recall the flimsy, higgledy-piggledy pipe-and-wire railing persisting well into my adulthood. I never had much good to say about that bridge, except to say thank goodness I made it to the other side.

In 2003, as the finishing touches were being put on the latest replacement of the Union Street bridge decking, the SCDOT received a citizens’ petition to close the bridge to vehicular traffic due to the limited sight distance available to drivers going over the bridge. City Council discussed this in a June 9, 2003 work session. Citizens in attendance advocated for keeping the bridge open. The consensus among Council members, according to the meeting minutes, was to keep the bridge open and review the area for possible speed bumps, speed signs, and signage to warn pedestrians of traffic.

If I’d been active in City issues at that time, I could have told them about the long-ago morning when my brother saw an elderly man on foot crossing the Park Avenue intersection at the bottom of the Union Street bridge. The man stumbled and fell in the roadway, then just laid there. Was the man sick? drunk? dead? My brother, who was just a kid, stood there frozen, not knowing what to do. A car could come over at any second and roll over the man. If my brother went to the man’s aid, might they both be hit?

That was the thing about that bridge. It was like driving off a cliff; a Thelma and Louise moment every time you crossed. Even driving as slow as a snail, there was no telling what was on the other side until you got there. Fortunately the odds were in the man’s favor. After a few long moments, he got up and continued on his way.

Next

Part Two of Three
The Charleston-Hamburg Line
Romantic Notions
Learning Curves
The Railroad Cut

For Reference

FEATURE PHOTO: Bridges over Aiken Railroad Cut. Front to back, York St bridges, Fairfield St bridge, and Union St bridge.Photographer: carlfbagge. Flickr album: Aiken, 2008. https://www.flickr.com/photos/12535240@N05/2238403088/in/album-72157623125207498

  1. Kirkland, Chasiti, “Bridge May Be Closed for Two Years.” Aiken Standard, October 25, 1995. 
  2. Hindman, Emily. “Railroad Cut Bridges Are Major Problem for City.” Aiken Standard, September 9, 1971. 
  3. “Laurens Street Bridge Closed; Declared Unsafe.” Aiken Standard, June 22, 1971. 
  4. Wendel, Debbie. “Council to Consider Bridge Suit.” Aiken Standard, May 8, 1974. 
  5. Banton, Amy. “Laurens Street Bridge May Open Today.” Aiken Standard, October 4, 2012. 

The Friendship Baptist Church Parsonage: A Case for Protecting this Historic and Culturally Significant House

A Slide Presentation
by
Mandy Nicoli-Drumming

Slide 1 (Intro Slide)

ABOVE: Slide 1. Click to view full size.

Slide 2 (Quote) 

For the sake of context, I’d like to start with a quote, stated by Barry Finder, an architectural historian, during his lecture titled, “Arts and Crafts Architecture in Colorado Springs.” The quote states, “…I don’t think my subjects would ever have referred to themselves necessarily as Arts and Crafts architects, but they certainly were, there is no doubt about it.”

Slides 3 – 5

Slide 3 (Parsonage) From 1919-1920, in the American Southeast, health resort area of Aiken, South Carolina, the historically Black, Friendship Baptist Church built a parsonage adjacent to its main church building Slide 4 (Parkway Grid) and facing one of Aiken’s numerous parkways. Slide 5 (Graham and students) The parsonage was designed and built by Edinburg Graham, a FBC member, minister, and carpentry instructor at Schofield Normal and Industrial School, with the assistance of several Schofield boy students.

ABOVE: Slides 3, 4 and 5. Click images to view full size.

Slides 6 – 8

Slide 6 (Schofield School images) Schofield, located only a few blocks from Friendship Baptist Church, was founded in 1868 by Martha Schofield, a Pennsylvanian Quaker, for the education of African Americans. For decades, Schofield held a close relationship with Friendship Baptist Church Slide 7 (Whitney and Iselin) as well as garnered significant support from Aiken Colony institutions and dedicated participants, such as William C. Whitney and Hope Goddard Iselin, particularly after 1880, when Schofield, Slide 8 (Booker T. Washington on Horse) like the Tuskegee Institute founded by Booker T. Washington, began offering an education in the manual arts.

ABOVE:: Slides 6, 7 and 8. Click images to view full size.

Slides 9 – 13

Slide 9 (Parsonage) Standing 1 and ½ stories tall, Graham and the Schofield boys built the parsonage using mostly natural, presumably locally sourced materials of wood and brick. In its asymmetrical massing, the parsonage presents a low-pitched roof; a large, covered porch; fairly deep eaves with exposed rafters, and a dormer. Slide 10 (Mantel and Porch) Throughout the interior and exterior of the parsonage, the design is cohesive. Slide 11 (Woodwork)Woodwork displays smooth surfaces and minimal ornamentation, except for classical design touches. Slide 12 (Classical)These classical elements include Doric columns; rounded and arched windows and motifs; an entranceway framed with two sidelights and a sunburst fanlight, Slide 13 (Segmental Arches) and numerous segmental-arches part of the porch construction and several fireplace mantels.

ABOVE: Slides 9-13. Click images to view full size.

Slides 14 – 18

Given its construction and design, Slide 14 (A and C Books) the parsonage is an architectural result of what is called the American Arts and Crafts movement, one of the most far-reaching movements in American art, but also one of the least understood. In the United States, during the years following the American Civil War, until the onset of WII, the American Arts and Crafts movement was a movement that Slide 15 (Industrial Issues) aimed to address the negative effects associated with the Second Industrial Revolution, in conjunction with Slide 16 (American Liberalism Books) rejuvenating the founding principles of America, given slavery was finally abolished. Slide 17 (Washington and Northeast) Recognizers of the movement included Booker T. Washington and others from heavily industrialized areas historically steeped in abolitionism, principally Boston, New York, and Philadelphia. Slide 18 (New England A & C Book) American Arts and Crafts movement supporters called for a return to nature, good health, handicraft, the use of natural and locally sourced materials, simplicity, utility, primitivism, and the revival of the best of a region’s early colonial past.

ABOVE: Slides 14-18. Click images to view full size.

Slides 19 – 23

Slide 19 (House & Garden Ad) Demonstrating American Arts and Crafts movement thought in material form is a page of advertisements printed in 1923, in House and Garden magazine, considered a prestigious organ of Arts and Crafts taste. Slide 20 (Colonial Chair) The advertisement page includes ads for Colonial Revival Windsor Chairs crafted by Artcraft Furniture Co.; Slide 21 (Metal Basket) a metal flower wall basket produced by Florentine Craftsmen Masters of the Metal Arts; Slide 22 (House & Garden Book) and the book Arts & Decoration; Practical Home Study Course in Interior Decoration, written in part by the author of The Practical Book of Early American Arts and CraftsSlide 23 (Scroggs & Ewing) In reference to Aiken, the page includes an ad for Homes of Distinction, an architectural promotional book created by Augusta-based architectural firm Scroggs & Ewing. Work by Scroggs & Ewing appears throughout historic, downtown Aiken.

ABOVE: Slides 19-23. Click images to view full size.

Slides 24 – 31

Slide 24 (A & C Books) To live the tenets of the American Arts and Crafts movement, advocates often traveled to health resort hubs in the United States, bringing with them their American Arts and Crafts ideals. Current articles abound discussing the influence of the American Arts and Crafts movement on health resort areas including California, Slide 25, 26, 27, 28 (California) Colorado Springs, Colorado, Slide 29 (Colorado)and the Pacific Northwest Slide 30 (Pacific Northwest). These articles discuss American Arts and Crafts practitioners’ celebration of early colonial, indigenous populations, including Mexicans and Native Americans. Similarly, it is said, at Tuskegee, Slide 31 (Tuskegee Pastoral) Booker T. Washinton “conjured up a black Oz in the red, pine-dotted hills of the Black Belt in Alabama. As opposed to W. E. B. DuBois’s urban-minded ideals of integration, Washington believed that the isolated world of black towns provided the key elements to the eventual gain of greater political, economic, and cultural power for African Americans. Washinton temporarily averted his gaze from the brutal realities of Jim Crow and conceived an Arts and Crafts-inspired campus, softened in the hand-colored tones of a simpler time. Like John Ruskin (an English A & C leader), he became a prophet for the working class by turning to the past for the blueprints of a utopian community. As it had been for Ruskin, Nature was Washinton’s muse. The aesthetic of the Tuskegee campus and its representations were carefully constructed by Washinton to deliver varying messages. For northern white philanthropist friends, steeped in Victorian taste and laced with the Ruskin aesthetic of morality, nature, labor, and art, Tuskegee proclaimed itself a pastoral retreat and hothouse for the nurturing of black, self-reliant Christians.”

ABOVE: Slides 24-31. Click images to view full size.

Slide 32

Slide 32 (Parsonage) Today, historians document the influence of the American Arts and Crafts movement on health resort areas located in the NE, NW, and SW. However, there is no real discussion of the movement’s influence on health resorts in the SE. Additionally, little scholarship exists discussing the contributions made by African Americans to the American Arts and Crafts movement, except for two articles: Ruskin in the Black Belt: Booker T. Washinton, Arts and Crafts, and the New Negro, by Micheal Bieze, and ‘The Dignity of Labor’: African American Connections to the Arts and Crafts Movement, 1868-1915, by Elaine Fussell Pinson. Given this, my talk will shed light on how the parsonage is critical evidence that Friendship Baptist Church, Schofield Normal and Industrial School, and dedicated Aiken Colony participants advocated and practiced the ideals of the American Arts and Crafts movement, uniquely within the context of a health resort located in the Southeast.

ABOVE: Slide 32. Click to view full size.

Slides 33 – 35

Slide 33 (FBC Church) Before Friendship Baptist Church looked to the Schofield School to build its parsonage, the church was arguably cognizant of American Arts and Crafts ideals, such as using locally sourced, quality building materials, demonstrating restraint in ornamentation, and interacting with Aiken Colony affiliates. Slide 34 (Fire Article) In 1893, a fire destroyed the original FBC church building. In 1894, to rebuild the church, the church used locally manufactured bricks made at Aiken Fire and Ornamental Brick Works. Slide 35 (Bricks)Rev. John Phillips, as noted in a historic Aiken Standard and Review article, stressed that the new building be built using such brick, believing, in the long run, using the quality material would be cheapest. Additionally, Rev. John Phillips emphasized there was “to be nothing gaudy about the (new church) building.” The contract to build the church was given to Mr. Jason V. George, responsible for building the original Willcox Hotel, Rye Patch, and the new clubhouse at the Palmetto Golf Course, all Aiken Colony institutions.

ABOVE: Slides 33, 34 and 35. Click images to view full size.

Slides 36 – 37

Slide 36 (Richard Carroll) Friendship Baptist Church and Schofield revered the work of Richard Carroll, called the Booker T. Washington of South Carolina. Carroll served as pastor at Friendship Baptist Church from 1899-1902. Also, in 1899, The State newspaper included an article summarizing Schofield School’s graduation. In the article, it states the commencement speaker was Richard Carroll. The article goes on, stating “…that while Alabama has its Booker T. Washington, South Carolina has its Richard Carroll.” Slide 37 (AS 1917, 1919) Almost twenty years later, in 1917, a few years before the construction of the parsonage, an article appeared in the Aiken Standard announcing Carroll to give a speech at Friendship Baptist Church. In the article, again, Carroll is compared to Washington. The article states Carroll is “following close in the footsteps of Booker T. Washington…” and “like Washington teaches his people that the best friend the colored race has is the good, broad minded, liberal hearted white man. According to another Aiken Standard article, in 1919, dedicated Aiken Colony participant William C. Whitney gave Carroll several thousand dollars in support of his work.

ABOVE: Slides 36-37. Click images to view full size.

Slides 38 – 40

Slide 38 (Graham and Schofield) To build the parsonage, Friendship Baptist Church selected craftsman Edinburg Graham, a former student and carpentry instructor at Schofield Normal and Industrial School. Given the American Arts and Crafts design of the parsonage, Graham was exposed to and taught American Arts and Crafts design principles at Schofield. Schofield offered manual arts training in carpentry, farming, harness-making, blacksmithing, printing, wheelwrighting, shoemaking, sewing, cooking millinery, housekeeping, and laundry work. Slide 39 (Friends’ Intelligencer) As a craft based, manual industrial model of education, Quaker “Friends’ Intelligencer” journal often proclaimed the Schofield School “recognized the coordinate importance of the education of the head, the heart, and the hand.” Slide 40 (Head, Heart, Hand) At the same time, the slogan was the motto of the Arts and Crafts movement, embraced by Arts and Crafts leaders Elbert Hubbard, Charles Voysey, and Booker T. Washington at Tuskegee.

ABOVE: Slides 38-40. Click images to view full size.

Slides 41 – 43

Slide 41 (Industries of Schofield) Like Tuskegee, an educational institution advancing the idea that education should include work with the head and heart as well as the hand, Schofield broadcasted the notion of dignity of labor. In 1899, Schofield printed a promotional brochure titled Industries of Schofield School, Aiken, S. C., Printed by Students, showing Schofield students working in the Carpenter School, Harness Shop, and Shoe Shop. Slide 42 (Industries of Schofield) Tuskegee did the same. Here is a promotional photo of Tuskegee boys working in the school workshop and several furniture works by Tuskegee students. Slide 43 (Aiken Booster) Likewise, an Aiken booster printed and circulated in 1867 declared “…it has been reported that manual labor was not honorable in the South. If the ever was a truth, hard work and steady employ have now become fashionable; and whoever cultivates his fields best, and is personally most industrious, is the most successful and the greatest gentleman.”

ABOVE: Slides 41- 43. Click images to view full size.

Slides 44 – 47

Slide 44 (Aiken Colony) The Schofield School manual arts programs garnered major support from dedicated Aiken colonists living American Arts and Crafts ideals in Aiken and elsewhere. Many winter colonists in Aiken demonstrated a love for nature, revived and preserved the best of Aiken’s regional heritage, praised utility and simplicity, held primitivism with esteem, supported local handicraft, and, distinctive to the American Arts and Crafts movement, embraced American liberal thought, grounded in classicism. Slide 45 (Schofield Chairs)William C. Whitney, Thomas Hitchcock, Miss Celestine Eustis, and other Aiken Winter Colony participants donated money and/or bought handcrafted objects made by the school. Slide 46 (Highland Park, Schofield Printing) The Schofield Printing Shop printed the daily Bill of Fare for the Highland Park Hotel, one of the most popular hotels for Aiken winter colonists. Slide 47 (Schofield Campus) An Aiken booster brochure geared toward luring Northerners to Aiken advertised the School of Schofield, presented a photo of Schofield Normal and Industrial School Grounds and Buildings. In the book, Martha Schofield and the Reeducation of the South, 1839-1916, the author states the only reason Martha Schofield was invited to be a part of the Aiken Society was because the Schofield School had become a major reason Northerners came to Aiken.

ABOVE: Slides 44-47. Click images to view full size.

Slides 48 – 53

Slide 48 (Segmental Arches) Edinburgh Graham and the Schofield Boys built the parsonage, based on an oral history given by longtime Aiken resident and centurion Cecelia McGhee in addition to architectural evidence presented by the parsonage. Slide 49 (Mantel) The interior of the parsonage presents richly colored, solid wood mantels, presenting an inlay design of a segmental arch, appearing to be upheld by two smooth, Doric columns. Slide 50 (Porch) The same design scheme of segmental arches seemingly supported by smooth Doric columns make up part of the exterior porch construction. Slide 51 (AS article) A few years later, in 1923, the Aiken Standard printed a celebratory article, stating “The members and friends of Friendship Baptist church…are rejoicing over the beautiful arch constructed by Edinburgh Graham in elevating the choir.” Slide 52 (Segmental Arch in FBC) Attributed to Edinburg, the arch inside of the Friendship Baptist Church is a large, classical segmental arch composed of wedge-shaped blocks, appearing to be upheld by rectangular, Doric columns with concave, rounded-arch window motifs. Slide 53 (Segmental Arches) As the segmental-arch designs found inside and outside of the parsonage mimic the segmental-arch design located inside of the Friendship Baptist Church and attributed to Graham, indeed, Graham, as a product of Schofield, built the parsonage.

ABOVE: Slides 48-53. Click images to view full size.

Slide 54 – 55

Slide 54 (Parsonage details) Schofield seems to have taken pride in the creation of the Friendship Baptist Church Parsonage. The beautiful Arts and Crafts mantels, windows, and frames of the parsonage reflect the content Slide 55 (Schofield Ads) of a unique, Schofield newspaper advertisement, printed during the same year the parsonage was completed, 1919-1920. Early in 1920, the Aiken Standard printed a never-before-seen Schofield School advertisement on March 3 and 10 and April 14 and 28. The advertisement reads, “SCHOFIELD SCHOOL is prepared to make screens, mantels, windows and frames. Facilities for moving houses and general advice on building.” Given the timing of the ad, printed the same year as the completion of the personage, it’s likely Schofield contributed to the parsonage project, feeling confident to further their services of crafting mantels, windows, and frames for new clients.

ABOVE: Slides 54-55. Click images to view full size.

Slide 57

I hope this talk sheds light on how the parsonage is an important architectural work, evidencing Friendship Baptist Church, Schofield Normal and Industrial School, and dedicated Aiken Colony participants advocated and practiced the ideals of the American Arts and Crafts movement, uniquely within the context of a health resort located in the Southeast. Moving forward, I hope this talk probs others to ask questions and help spotlight, on a local, regional, and national level, the major contributions made by African Americans to the American Arts and Crafts movement, particularly in the Southeast health resort area of Aiken, South Carolina. Slide 57 (Tuskegee Furniture) The Tuskegee Institute is trying, as evidenced by furniture works crafted by students, on exhibit at the Tuskegee Museum, and scholarly articles concerning Tuskegee Institute architecture. Let’s begin to do the same.

ABOVE: Slide 57. Click image to view full size.

Slide 58 (Closing Slide)

Thank you.

The New Downtown County Judicial Complex Takes Shape.

by Don Moniak

January 26, 2024

Aiken County’s downtown judicial center is being modernized and growing beyond the historic courthouse at Chesterfield Street and Park Avenue.The decision to expand downtown, instead of building anew on the edge of town, will result in substantial taxpayer savings, preserve the traditional use of three historic buildings, and maintain downtown’s private legal culture.

Aiken County Council approved the purchase of the City of Aiken’s former Municipal Building at 214 Park Avenue, SW, for use as the County Solicitor’s Office in December 2023; Aiken City Council gave final sale approval on January 22, 2024.

Aiken County is also close to finalizing the free acquisition of the Charles E. Simons Jr. Federal Courthouse, at 223 Park Avenue SW, from the federal government.

These two property transfers, along with pending interior upgrades to the County Courthouse, will keep the County’s judicial system centered in downtown Aiken.

The situation is a win-win for Aiken County and its County Seat, the City of Aiken. The former will modernize its downtown judicial infrastructure in a cost-effective means that saves taxpayers tens of millions of dollars; while preserving the historical integrity of Park Avenue from Laurens to Chesterfield Streets.

The County Seat of Aiken retains the economic benefits derived from hosting the essential business of the justice system. Attorneys and legal staff in the numerous law offices within a several hundred feet of the County Courthouse can still walk to conduct their business; and their clients will continue to visit the downtown offices.

Supply, Demand, and the County’s Judicial Complex.

As Aiken County’s population grows, the demands of adhering to the State of South Carolina’s Criminal and Civil Codes only intensify. The county judicial complex, centered in downtown Aiken, has experienced a heavy burden from this growth for more than a decade. 
(In 2023, Aiken County Council also approved a $13.8 million expansion of the County jail on Wire Road to alleviate chronic overcrowding, again reflecting the county’s growth).

The idea for an entirely new complex on County-owned property adjacent to the looming County Administrative Offices on University Avenue also germinated more than a decade ago. The options were to build anew at a cost of tens of millions of dollars, or to reorganize an existing supply of government facilities at a much lower cost.

Aiken County began negotiating more than two years ago with the City of Aiken to purchase the historic Aiken Municipal Building at 214 Park Avenue, NW. Concurrently, the County was negotiating with the Federal Government to obtain the seldom-used, historic Charles E. Simons Jr. Federal Courthouse on Park Avenue, across the street from the former Municipal Building.

As reported in Why is the City of Aiken Toying with 113 Downtown Jobs, the County’s goal was to seek the least expensive alternative to alleviating the overcrowding at the historic County Courthouse at Park Avenue and Chesterfield Street.

Obtaining the Municipal Building would also consolidate the County Solicitor’s offices from three locations to one central location, thus improving the efficiencies of that department. Obtaining the Federal Courthouse would provide more space for civil and/or criminal trials, and provide interim space to upgrade the existing courthouse interior.

Figure 1: Plat showing the Municipal Building (in yellow) being sold to Aiken County.


Aiken County Council Approves Purchase of Former City Hall

As told in 113 Jobs , the negotiations between city and county were disrupted by a sudden decision in April 2022 to move the proposed Project Pascalis conferenced center from Newberry Street to the Municipal Building. Negotiations ensued between the owners of Newberry Hall and the City of Aiken for the future ownership and operational structure of such a conference center. 

As reported in Project Pascalis Conference Center Costs, that process cost the City upwards of $100,000 dollars, delayed the County’s judicial system modernization, and created considerable uncertainty for the latter process. The City’s costs included reimbursing Newberry Hall’s legal counsel $36,779.93; a luxury not afforded to other Project Pascalis property tenants who endured heavy pressure in 2022 to sign questionable, generic relocation agreements that were as uniform for a dry cleaner and restauranteur they were for real estate brokers and insurance agents. 

Thus, Project Pascalis not only was a plan to demolish half a block of downtown Aiken, it also could have resulted in the abandonment of the County’s judicial presence, an uncertain future for the historic County and Federal courthouses, and a debt load in the tens of millions of dollars for County taxpayers.

The end of Project Pascalis meant the full resumption of efforts to repurpose the by-now vacant, New Deal-funded Municipal Building from City administrative use to County administrative use. At the State of the City address in January 2023, Mayor Rick Osbon made a strong recommitment to this path.

On December 12, 2023, the first half of the County’s Solicitor’s Office plans became official when County Council approved the purchase of the Municipal Building for $2.4 million—which was $200,000 less than the appraised value. The purchase excludes the patio area of the Municipal Building and the “Brinkley Building” portion. (Figure 1). Both will be retained by the City; the former for use in The Alley events and the latter to be sold or used for a yet-to-be defined future municipal use; such as a well-needed public restrooms for Alley events.

County Council’s decision was anti-climactic. A short discussion occurred during a Judicial and Public Safety Committee Meeting, and the $2.4 million sale approval occurred during approval of Council’s larger “consent agenda;” alongside such notable acts as the naming of private roads.

The second half of the process involved Aiken City Council approving the sale of the building. Council unanimously and quietly approved the sale during both public hearings this month. There were no discussions between Council members, and only one citizen comment endorsing the plan.

Once the sale is authorized and the deed transfer is executed, the Solicitor’s Office can move in, as the well-maintained building will require almost no upgrades. No Design Review Board (DRB) approval is necessary, as there will be no facade changes.

The move serves to consolidate the County’s Solicitor’s Offices, which are presently spread across three buildings, into one facility directly across the street from the Federal Courthouse and only two blocks from the County Courthouse. This consolidation not only preserves the building in its current state, but also its traditional governmental use for which federal New Deal dollars were dedicated in the 1930’s.

Figure 2: Federal Courthouse in 1935 and 2020

The Charles E. Simons Federal Courthouse Freebie

According to Aiken County Council Chair Gary Bunker, the transfer of New Deal-funded Charles E. Simon Federal Courthouse (Figure 2) is close to fruition and inevitable. There is no purchase price because the federal government is essentially gifting the historic building to the County and its citizens.

This Aiken County Assessor’s office currently appraises the market value of the half-acre property at $687,000, but provides no estimated value for the ~5,420 building square foot itself. 

The building was added to the National Historic Register in 2003. The 2002 nomination form included a five-page description and statement of significance.

In addition to the historic structure continuing to grace Park Avenue, interior preservation is mandated. Most prominent in the main courtroom is the famous New Deal-era mural titled “Justice as Protector and Avenger.” (Figure 3)

According to the statement of significance, a mural created by artist Stefan Hirsch is located behind the judge’s bench and “depicts a lady justice as a simply clothed figure in red, white, and blue, alternately protecting the oppressed while prosecuting the evil elements in society.”

The mural was so controversial in the Jim Crow south that then presiding Judge Frank K. Myers had it covered with drapes, stating in part, that:

You are advised that this piece of work is so offensive to me that, at my own expense, I had it covered as soon as possible after the opening of court, and that, as long as I preside in the Aiken court, it will not be displayed.”

To add context to this era, the mural was added only twelve years after the triple lynching of Lowman siblings Damon, Bertha and Clarence, all three of whom were expected to be acquitted of the crimes for which they’d been charged. However, the night before the trial, they were forcibly removed from the Aiken Jail on Chesterfield Street behind the Aiken County Courthouse. Ongoing efforts to erect a historic marker commemorating that tragic injustice have failed to gain traction.

Figure 3: “Lady Justice” mural.


While the City of Aiken has struggled to address the condition of the Richland Avenue side of the central downtown block, Aiken County’s sometimes infamous frugality will serve to preserve three of the most significant historical structures in downtown Aiken and add to the downtown’s historic role of hosting the County’s judicial complex.

Adding the two buildings also means that the County will own six historic structures in the downtown area, joining the County Courthouse, the newly renovated County Library on the former Aiken Institute, and what is now the County Museum. The sixth building is the increasingly blighted Old Hospital and County Administration Building on Richland Avenue—which the County and City have collectively allowed to fall into a worsening state of disrepair that would not be tolerated if it was privately owned.

Still, the City of Aiken has, in this instance, lived up to its role as County Seat, and helped to save County taxpayers tens of millions of dollars and avoid what certainly would have been a highly controversial effort to move the judicial complex to the edge of town.

Figure 4: The future judicial complex (left) and the 37-acre County owned parcel (right, within red outline) where a new judicial center was an option. The decade-old County Administrative Building (often jokingly referred to as the “Taj Mahal) is in the lower right.